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DIARIES: WHISTLING WOODS INTERNATIONAL

There’s so much going on at Whistling Woods International that it’s hard to keep track, but we’re trying our best to tell you...

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TOUCH OF JOY: JOY BIMAL ROY

I shall cherish the materializing of this article. The attempt is to visit the great cinema-maestro Bimal Roy through his son Joy Bimal Roy&rsq...

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Making Fraaandship with Nupur Asthana

Aparajita Krishna explores love, relationships, friendships, feminism and more in the interview with writer, director Nupur As...

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KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

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The Indian ‘New Wave’ for the Millennial

Even though I use a lot of close ups, “Once upon a time, long, long ago…” should be the tone and tenor of this account from ...

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A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

Mira Nair to speak at KASHISH 2021

Panel Discussion ‘Books To Screen – Lost & Found in Translation’ to be streamed online on August 24th, reports...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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Pravesh Sippy: Never in Dire Straits

Water of love deep in the ground/But there ain’t no water here to be found/Some day baby when the river runs free/It's gonna carry that w...

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Give peace a chance

Khalid Mohamed in conversation with the eminent filmmaker and documentarist Ramesh Sharma on his new feature-length documentar...

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